Edited by UC Davis professor Susan Kaiser (along with Efrat Tseëlon of the University of Leeds and and Ana Marta González of the University of Navarra); this publication – part book and part journal – seeks to further the Fashion Studies debate with both interdisciplinary and international slants. Critical Studies in Fashion and Beauty is a well-illustrated journal that includes exhibition reviews, articles and editorials by a dozen different authors on such topics as “Revisioning the Kimono” (Sheila Cliffe); “Russian Immigrant Women and the Negotiation of Social Class and Feminine Identity through Fashion” (Alexandra Korotchenko and Laura Hurd Clarke); and “Auction Prices of Fashion Collectibles: What do the mean? (Diana Crane).
Crane’s piece on fashion as collectible object was a particularly interesting editorial, especially this:
Aesthetic criteria for evaluating fashionable collectibles and fashionable clothing in general are underdeveloped, as indicated in a recent review of scholarly works on fashion (Gonzalez 2010). Most scholarly discussions of fashion theorize the characteristics and effects of fashion that is in fashion, rather than the aesthetic criteria of fashion collectibles. in fact, most such discussions ignore the possibility and implications of fashion collectibles. Analysing fashion collectibles is different from recounting fashion history. The latter tends to be a description of a succession of creators and styles.” (145-146).
Her piece also discusses the role of ‘celebrity endorsement’ in the valuation of fashion collectibles; the roles museums play; as well as some brief background analysis. It will take me a while to get through the other articles here, but they are valuable and informative works. If you’ve read other articles here, I’d love to know your thoughts on them.