If you could see the stack of books on my ‘to do list’ you might run for the hills, but you also might sit down for a good long read. There are some great reviews ahead – so keep an eye out. First up is Hollywood Before Glamour: Fashion in American Silent Film by Michelle Tolini Finamore. Released earlier this year, it has been on my to do list the longest, and here are some brief notes about it’s contents.
Nearly 300 compact pages of academic scholarship cover the 1900s through the 1930s in 6 thematic essays (plus an introduction). Not surprisingly, much of the work discusses Lady Duff Gordon (or Lucile), and also includes an entire chapter on the designer Peggy Hamilton.
It also includes discussions of American Fashion design on film during World War I, and the rise of the ‘specialist’ costume designer (including Adrian, Andre-Ani, Travis Banton, Howard Greer, Iribe, Mitchell Leisen, Max Ree, and Sophie Wachner – though noticeably absent is Natacha Rambova.) Actor’s who provided their own wardrobes for modern films, and the marketing potential that came out of that is also explored. The book is well researched, but is not meant to be a comprehensive study of the era. It remains a helpful resource.
*Anna Moore/Lillian Gish wearing negligee in Way Down East (United Pictures 1920, director D.W. Griffith). Photo by Bain News Service, new York. George Grantham Bain Collection, Library of Congress.)
What I found unique about this book was not the abundant photographs, or costume illustrations depicting a glamorous Marilyn – that was to be expected. What I didn’t expect was the level to which that glamor was removed, and the details of the real objects described and illustrated. Author Andrew Hansford is the manager of the William Travilla archive, and like a true archivist, is interest lies in the ‘state of the artifact’.
It’s a gem of a book for anyone interested in the real objects of popular culture: depicting not only the beautiful ‘idealized’ garments, but also the state they are in today, including rips, stains, holes, and even lipstick marks. Most books that include collection images don’t include what goes on the condition reports. For this alone, I love this book.
Dressing Marilyn begins with a biography of designer William Travilla, who created costumes for Marilyn onscreen and off, and follows with two+ page spreads on seven of Marilyn’s most famous film costumes, followed by two smaller sections titled ‘personal dresses’ and ‘further classics’. Each of the seven costumes is explored and discussed in-depth, both photographically as well as with historical research, documentation, and text. It truly is a marvelous resource for anyone looking to hunt down the details of Marilyn Monroe’s wardrobe and film costume history.
Those in attendance were treated to a lecture by Jo Ann Stabb, who conducted an assessment of this collection of over 100 artifacts in 2002-3 for the California State Parks. Several pieces from the collection were on display at the Sonoma Developmental Center, including some lovely theater coats, evening shoes, a lace blouse and an evening dress. The lecture highlighted Charmian’s independent spirit and outgoing nature, and drew links between her wardrobe and the larger fashion world of each era.
Many of the garments in her collection draw strong correlations with the House of Lucille and with Paul Poiret- though it’s not likely that she purchased items from these makers. Jack London’s mother was an accomplished seamstress, as was Charmian herself.
At various times Charmian’s style was inspired by the Aesthetic Movement and Art Nouveau (especially during her bohemian days in Berkeley and Oakland), and often by her travels abroad with Jack (including trips to Hawaii and the tropics, where she would don Mother Hubbard style dresses and Kimono’s). Japanese, African and other ethnic influences can certainly be found in extant photos and clothing pieces in the collection. Not surprisingly, she had a love of fur – especially trimming hats and garments (reminiscent of Lucille).
The incredibly informative and well attended lecture was followed by lunch and a visit to the Jack London State Historic Park to see the House of Happy Walls (where Charmian’s closets were on view). Park Rangers were on hand to answer our questions, and a park volunteer played music on Charmian London’s piano – much to the delight of the visitors. (For more of my photos from this event, see the gallery at the end)
What made this event all the more bittersweet was the news that came out last Friday: that the Jack London State Historic Park is one of many on a proposed list of park closures due to a $22 million California general fund budget cut. According to the San Francisco Chronicle, those closures are expected to begin in September and have already been approved by the California Legislature.
It will be the first time in California’s history, including during the Great Depression, that state parks have closed because of budget cuts and parks that remain open also will have reduced services.”
What isn’t obvious to many, is that some of these parks also house historic collections of costumes and textiles (as well as other artifacts) – and access to these collections would also be diminished. Along with Jack London SP, and close to my heart, the Fisher Hanlon House (a historic home in Benicia Capitol State Historic Park) has a costume collection and would also be closed.
Benicia is my hometown, and my first experience with a historic costume collection was at the Fisher Hanlon House. According to one parks employee “Parks that do end up being closed will be in a caretaker status, and the collections will still be preserved.” While officials weren’t able to confirm which parks had historic costume and textile collections, they indicated that the Governor’s Mansion and Leland Stanford Mansion both include displays of historic dress. Upon further research, it seems that the Petaluma Adobe State Historic Park also has historic costume, and is scheduled to close in September (For a complete list of California collections housing historic costumes and textiles, see Clothing And Textile Collections in the United States: A Csa Guide).
Now if you want to do something to help preserve these collections that are important to California’s History, I’d advise a donation: