{"id":4538,"date":"2016-05-21T01:00:58","date_gmt":"2016-05-21T08:00:58","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?page_id=4538"},"modified":"2019-08-21T13:54:30","modified_gmt":"2019-08-21T20:54:30","slug":"about-me","status":"publish","type":"page","link":"https:\/\/fashionhistorian.net\/blog\/about-me\/","title":{"rendered":"About Me"},"content":{"rendered":"<p>Heather (Vaughan) Lee is an author and historian, whose work focuses on the study of dress in the late 19th through the 20th century. Covering a range of topics and perspectives in dress history, she is primarily known for her research on designer Natacha Rambova, American fashion history, and the history of knitting in America.<\/p>\n<p>More on Heather&#8217;s career can be found <a href=\"http:\/\/www.fashionhistorian.net\">here<\/a>.<\/p>\n<p>Founded in 2011, Fashion Historia explores the history of fashion (and related events and exhibitions) with a focus on California and the West Coast. It includes book reviews, historical research, theoretical discussion and invites feedback from other scholars in the field.<\/p>\n<p><a href=\"http:\/\/fashionhistorian.net\/blog\/contact-me\/\">Contact Me Here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Heather (Vaughan) Lee is an author and historian, whose work focuses on the study of dress in the late 19th through the 20th century. Covering a range of topics and perspectives in dress history, she is primarily known for her research on designer Natacha Rambova, American fashion history, and the history of knitting in America. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5242,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"coauthors":[247],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages\/4538"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=4538"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages\/4538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media\/5242"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=4538"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=4538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}