{"id":4645,"date":"2016-06-06T15:24:52","date_gmt":"2016-06-06T22:24:52","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?page_id=4645"},"modified":"2016-06-06T16:03:20","modified_gmt":"2016-06-06T23:03:20","slug":"ariele-elia-guest-contributor","status":"publish","type":"page","link":"https:\/\/fashionhistorian.net\/blog\/guest-contributors\/ariele-elia-guest-contributor\/","title":{"rendered":"Ariele Elia, Guest Contributor"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-4642\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2016\/06\/Ariele-Head-Shot-_web.jpg\" alt=\"Ariele Head Shot _web\" width=\"247\" height=\"371\" srcset=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2016\/06\/Ariele-Head-Shot-_web.jpg 533w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2016\/06\/Ariele-Head-Shot-_web-200x300.jpg 200w\" sizes=\"(max-width: 247px) 100vw, 247px\" \/>Ariele Elia,\u00a0<\/strong>assistant curator of Costume and Textiles, Museum at the Fashion Institute of Technology (FIT); she has curated or co-curated a number of exhibits including:\u00a0&#8220;Faking It: Originals, Copies, and Counterfeits,&#8221;\u00a0&#8220;Fashion and Technology,&#8221;<em>\u00a0<\/em>and &#8220;Global Fashion Capitals.&#8221; Currently she is co-curated \u201cBlack Fashion Designers,\u201d set to open December 2017.\u00a0Elia\u00a0has lectured on at Oxford, NYU, Eyebeam, and the University of Rhode Island. Her essay, \u201cThe Wardrobe of the Modern Athlete: Activewear in the 1930s<em>\u201d\u00a0<\/em>was published in the book\u00a0<em>Elegance in an Age of Crisis: Fashion of the 1930s. <\/em>Elia is currently writing an essay about the influence of deep sea on fashion for the catalog <em>Expedition: Fashion from the Extreme.\u00a0<\/em>She holds an M.A. in Fashion and Textile: History, Theory, and Museum Practices from FIT, as well as a B.A. in Art History from Saint Mary\u2019s College of California. <a title=\"More articles by this author\" href=\"http:\/\/fashionhistorian.net\/blog\/author\/ariele\/\">More posts by the Author \u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ariele Elia,\u00a0assistant curator of Costume and Textiles, Museum at the Fashion Institute of Technology (FIT); she has curated or co-curated a number of exhibits including:\u00a0&#8220;Faking It: Originals, Copies, and Counterfeits,&#8221;\u00a0&#8220;Fashion and Technology,&#8221;\u00a0and &#8220;Global Fashion Capitals.&#8221; Currently she is co-curated \u201cBlack Fashion Designers,\u201d set to open December 2017.\u00a0Elia\u00a0has lectured on at Oxford, NYU, Eyebeam, and the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":4617,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"coauthors":[249],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages\/4645"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=4645"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages\/4645\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/pages\/4617"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=4645"}],"wp:term":[{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=4645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}