{"id":1074,"date":"2011-07-14T07:30:51","date_gmt":"2011-07-14T14:30:51","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=1074"},"modified":"2011-07-13T08:09:48","modified_gmt":"2011-07-13T15:09:48","slug":"marlene-dietrich-a-film-and-a-costumefashion-resource","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2011\/07\/14\/marlene-dietrich-a-film-and-a-costumefashion-resource\/","title":{"rendered":"Marlene Dietrich: a film &#038; a costume\/fashion resource"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.marlenedietrich.org\/pict\/paris\/parisbig\/06110050.jpg\" alt=\"\" width=\"340\" height=\"408\" \/>*<\/p>\n<p>Noir film costume design is often gone uncredited &#8211; but that doesn&#8217;t mean we can&#8217;t appreciate it. The San Francisco Silent Film Festival comes this weekend to the Castro Theatre in San Francisco, and one of its presentations is a Noir film called <a href=\"http:\/\/sfsilentfilmfestival.blogspot.com\/2011\/06\/marlene-dietrich-woman-men-yearn-for.html\"><em>The Woman Men Yearn For<\/em><\/a>, starring Marlene Dietrich.<\/p>\n<p>Via the <em><a href=\"http:\/\/www.filmnoirfoundation.org\/\">Film Noir Foundation<\/a> newsletter:<\/em><\/p>\n<blockquote>\n<h1>She&#8217;s a Femme Fatale<\/h1>\n<h1><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.filmnoirfoundation.org\/img\/broadcast\/Dietrich.jpg\" alt=\"\" width=\"203\" height=\"194\" \/><\/h1>\n<p>&#8220;Before she shot into stardom with Josef Von Sternberg&#8217;s <em>The Blue Angel <\/em>(1930),  Marlene Dietrich had a brief career in German silent films. The Film  Noir Foundation is proud to co-present one of these rarely screened  films, Kurt Bernhardt&#8217;s <em>The Woman Men Yearn For<\/em> (1929) at this  year&#8217;s San Francisco Silent Film Festival. On his way to his honeymoon, a  young industrialist encounters a seductive  beauty (Dietrich),  traveling with a mysterious male companion. When she begs the young man  to help her, events spin out of control. For more information on the  festival, running July 14 through 17, visit the SFSFF website.&#8221; <a href=\"http:\/\/clicks.aweber.com\/y\/ct\/?l=EZVmB&amp;m=JK8sTR4.6RB8kL&amp;b=PgcWXRf9ecHtf6.Ra8XA0Q\" target=\"_blank\">See the full lineup here <\/a><\/p><\/blockquote>\n<p>On a related note, the <a href=\"http:\/\/www.marlenedietrich.org\/mdcb.htm\">Marelene Dietrch Collection Berlin<\/a> includes a huge selection of her clothing and accessories. Those looking to research her film costume and offf-screen style should probably start here. The collection includes:<\/p>\n<blockquote>\n<ul>\n<li>Over 3,000 textile items from the twenties to the nineties, including 30 film- and 40 show costumes, by among others Jean Louis, Travis Banton, Edith Head, Eddie Schmidt.<\/li>\n<\/ul>\n<ul>\n<li> 1,000 individual items from her private wardrobe, 50 handbags,                        150 pairs of gloves, by among others: Elizabeth Arden, Balenciaga, Balmain, Chanel, Courr\u00e8ges, Dior, Givenchy, Guerlain, Irene, Knize, Lee, Levis, Schiaparelli, Ungaro.<\/li>\n<\/ul>\n<ul>\n<li>400 hats, 440 pairs of shoes by, among others: Agn\u00e9s, Aprile, Cavanagh, Lilly Dache, Delman, Edouard, John Frederics, Massaro.<\/li>\n<\/ul>\n<\/blockquote>\n<p>*Image above via Marlene Dietrich Collection Berlin, and the exhibition &#8220;<a href=\"http:\/\/www.marlenedietrich.org\/galleryParis.htm#\">Marl\u00e8ne Dietrich. Creation d\u00b4un mythe<\/a>&#8220;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>* Noir film costume design is often gone uncredited &#8211; but that doesn&#8217;t mean we can&#8217;t appreciate it. The San Francisco Silent Film Festival comes this weekend to the Castro Theatre in San Francisco, and one of its presentations is a Noir film called The Woman Men Yearn For, starring Marlene Dietrich. Via the Film [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93,94,1],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1074"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=1074"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1074\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=1074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=1074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=1074"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=1074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}