{"id":1825,"date":"2011-10-03T07:30:50","date_gmt":"2011-10-03T14:30:50","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=1825"},"modified":"2011-10-02T16:48:17","modified_gmt":"2011-10-02T23:48:17","slug":"robin-hood-1938-and-costume-designer-milo-anderson","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2011\/10\/03\/robin-hood-1938-and-costume-designer-milo-anderson\/","title":{"rendered":"Robin Hood (1938) and Costume Designer Milo Anderson"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" style=\"margin: 10px;\" src=\"http:\/\/davebpatterson.yolasite.com\/resources\/AoRH.jpg\" alt=\"\" width=\"395\" height=\"297\" \/><\/p>\n<blockquote><p>They worked only seven weeks, preparing for the picture. The studio worked nearly a year. The research work alone took months. The making of costumes, more months. And if you don\u2019t think a costume designer like Milo Anderson has his headaches, consider his problem with armor alone: After chain mesh armor was made for various knights and soldiers, the sound department discovered that the noise of the chain mesh in action was like that of a navy raising anchor. Anderson finally devised a realistic-looking substitute out of woven string, sprayed with metal paint.\u201d<\/p><\/blockquote>\n<p>\u201cCraig, Carol. \u201cA New Robin Hood,\u201d <em>Motion Picture.<\/em> Jan. 1938., pg 60.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>They worked only seven weeks, preparing for the picture. The studio worked nearly a year. The research work alone took months. The making of costumes, more months. And if you don\u2019t think a costume designer like Milo Anderson has his headaches, consider his problem with armor alone: After chain mesh armor was made for various [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93,94,1],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1825"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=1825"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1825\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=1825"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=1825"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=1825"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=1825"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}