{"id":1890,"date":"2011-10-06T07:30:57","date_gmt":"2011-10-06T14:30:57","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=1890"},"modified":"2011-10-11T11:49:28","modified_gmt":"2011-10-11T18:49:28","slug":"myrna-loy-on-the-big-screen-sf-and-la","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2011\/10\/06\/myrna-loy-on-the-big-screen-sf-and-la\/","title":{"rendered":"Myrna Loy on the Big Screen (SF and LA!)"},"content":{"rendered":"<p><a href=\"http:\/\/www.amazon.com\/gp\/product\/0520253205\/ref=as_li_ss_tl?ie=UTF8&amp;tag=fashhistandwo-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399373&amp;creativeASIN=0520253205\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" style=\"margin: 5px;\" src=\"http:\/\/t2.gstatic.com\/images?q=tbn:ANd9GcQFjOR7eTttDqDSBzvNVqZbdru8c40to4btu-aDFF3Cu4i1N9aQ\" alt=\"\" width=\"176\" height=\"264\" \/><\/a>This coming Friday (i.e. tomorrow), the Mechanics Institute will begin its Cinema Lit series of Myrna Loy film screenings (in celebration of a new book on the actress by Emily Leider, <em><a href=\"http:\/\/www.amazon.com\/gp\/product\/0520253205\/ref=as_li_ss_tl?ie=UTF8&amp;tag=fashhistandwo-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399373&amp;creativeASIN=0520253205\">Myrna Loy: The Only Good Girl in Hollywood<\/a><\/em>. Leider, who is best known (to me anyway) for her biography of <em><a href=\"http:\/\/www.amazon.com\/gp\/product\/B0002OUQPS\/ref=as_li_ss_tl?ie=UTF8&amp;tag=fashhistandwo-20&amp;linkCode=as2&amp;camp=217145&amp;creative=399369&amp;creativeASIN=B0002OUQPS\">Rudolph Valentino, Dark Lover: The Life and Death of Rudolph Valentino<\/a><\/em>, will introduce the first two films in the series.<\/p>\n<p>For those who are unfamiliar, Myrna Loy was discovered by Natacha Rambova and gave her a first film role in the late 1920s (changing her name, and giving her an &#8216;exotic&#8217; look). However, she became famous for her roles opposite William Powell in <a href=\"http:\/\/www.imdb.com\/title\/tt0025878\/\">The Thin Man <\/a>series beginning in 1934 (see my post on the <a href=\"http:\/\/fashionhistorian.net\/blog\/2011\/08\/15\/dolly-tree-a-costume-designer-gives-advice-1942\/\">costume designer Dolly Tree<\/a> for more on the costumes in this film).<\/p>\n<p>Friday, October 7, 6pm.<strong><em> The Animal Kingdom<\/em> <\/strong>(1932): Loy plays a beautiful and manipulative woman married to a reformed bohemian in this thoughtfully subversive pre-code comedy. <a href=\"http:\/\/www.milibrary.org\/cinemalit\/animal-kingdom-1932\">Details here<\/a>.<\/p>\n<figure style=\"width: 296px\" class=\"wp-caption alignright\"><a href=\"http:\/\/lovethoseclassicmovies.blogspot.com\/2010\/12\/myrna-loy-queen-of-movies.html\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/2.bp.blogspot.com\/_iqde5Op1Cy8\/TQ_4-6FhtZI\/AAAAAAAAAWE\/8COZIfhRKxo\/s1600\/Myrna+Loy+16.jpg\" alt=\"\" width=\"296\" height=\"393\" \/><\/a><figcaption class=\"wp-caption-text\">Myrna Loy, &#39;queen of the movies&#39; (via Love Those Classic Movies)<\/figcaption><\/figure>\n<p>Friday, October 14, 6pm. <strong><em>Penthouse<\/em> <\/strong>(1933): A woman helps a lawyer vindicate an innocent man accused of murder in this blend of comedy and drama. <a href=\"http:\/\/www.milibrary.org\/cinemalit\/penthouse-1933\">Details here<\/a>.<\/p>\n<p>Friday, October 21, 6pm. <strong><em>Manhattan Melodrama<\/em><\/strong> (1934): with William Powell and Clark Gable, Two orphaned friends take wildly divergent paths, one into the district  attorney\u2019s office, the other into a life of crime &#8212; but they both love  the same woman. <a href=\"http:\/\/www.milibrary.org\/cinemalit\/manhattan-melodrama-1934\">Details here<\/a>.<\/p>\n<p>Friday, October 28, 6pm. <strong><em>Love Crazy<\/em><\/strong> (1941): William Powell teams with Myrna Loy in this comedy about a man who will  do anything \u2013 even fake insanity \u2013 to prevent his wife from divorcing  him. <a href=\"http:\/\/www.milibrary.org\/cinemalit\/love-crazy-1941\">Details Here<\/a>.<\/p>\n<p>Can&#8217;t make any of those dates for screenings? There will be a few more in the Los Angeles and San Francisco area through the end of 2011 (Details forthcoming):<\/p>\n<p><em><em>November 20, 2011, 1:00 PM &#8211; American Cinematheque (Los Angeles)<\/em><\/em><\/p>\n<p><em>December 14, 2011 &#8211; Hollywood Heritage Museum in the Lasky-DeMille Barn, Hollywood, CA<em>February 21, 2012 &#8211; San Francisco Historical Society<\/em><\/em><\/p>\n<p>Added bonus! Here&#8217;s a trailer of Manhattan Melodrama to wet your appetite:<br \/>\n<object width=\"420\" height=\"315\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/RTff7Yr7ZtA?version=3&amp;hl=en_US\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><embed type=\"application\/x-shockwave-flash\" width=\"420\" height=\"315\" src=\"http:\/\/www.youtube.com\/v\/RTff7Yr7ZtA?version=3&amp;hl=en_US\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n<p><em><em> <\/em><\/em><\/p>\n<p><em><em> <\/em><\/em><\/p>\n<p><em><em> <\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This coming Friday (i.e. tomorrow), the Mechanics Institute will begin its Cinema Lit series of Myrna Loy film screenings (in celebration of a new book on the actress by Emily Leider, Myrna Loy: The Only Good Girl in Hollywood. Leider, who is best known (to me anyway) for her biography of Rudolph Valentino, Dark Lover: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,93,94,91],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1890"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=1890"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/1890\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=1890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=1890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=1890"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=1890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}