{"id":2213,"date":"2011-12-20T05:30:09","date_gmt":"2011-12-20T12:30:09","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=2213"},"modified":"2011-12-11T19:24:43","modified_gmt":"2011-12-12T02:24:43","slug":"tuesday-teaser-chorus-girls-from-a-pre-code-1933-film","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2011\/12\/20\/tuesday-teaser-chorus-girls-from-a-pre-code-1933-film\/","title":{"rendered":"Tuesday Teaser: Chorus Girls from a pre-code 1933 film."},"content":{"rendered":"<figure style=\"width: 404px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.corbisimages.com\/stock-photo\/rights-managed\/U243355ACME\/chorus-girls-posing-together?popup=1\"><img loading=\"lazy\" decoding=\"async\" class=\" \" style=\"margin: 10px;\" src=\"http:\/\/www.corbisimages.com\/images\/Corbis-U243355ACME.jpg?size=67&amp;uid=a1a52cac-9ced-4232-bdb1-8d9cdf3084e3\" alt=\"\" width=\"404\" height=\"321\" \/><\/a><figcaption class=\"wp-caption-text\">Nov. 20, 1933: Fan Dance, Where is Thy Charm. It isn&#39;t very difficult to beleieve that these three charmers were selected as the most beautiful chorus girls in Hollywood. They are appearing in the Charles Roger&#39;s RKO production, Sitting Pretty. From left to right, they are: Helen Splane, Mae Madison and Peaches Jackson.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93,94,91,1],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/2213"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=2213"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/2213\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=2213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=2213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=2213"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=2213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}