{"id":2320,"date":"2012-01-19T05:30:05","date_gmt":"2012-01-19T12:30:05","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=2320"},"modified":"2012-01-14T08:45:35","modified_gmt":"2012-01-14T15:45:35","slug":"noir-city-film-festival-starts-tomorrow","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2012\/01\/19\/noir-city-film-festival-starts-tomorrow\/","title":{"rendered":"Noir City Film Festival starts tomorrow!"},"content":{"rendered":"<p><a href=\"http:\/\/www.noircity.com\/program3.html#hammett\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone\" src=\"http:\/\/www.noircity.com\/img\/nc10\/affiche\/Maltese-Falcon-1931-LC.jpg\" alt=\"\" width=\"304\" height=\"239\" \/><\/a><\/p>\n<p>The <a href=\"http:\/\/www.noircity.com\/\">10th Annual Noir City Film Festival<\/a> starts tomorrow in San Francisco, and Eddie Muller (the Czar of Noir) is pulling out all the stops. The festival runs January 20-29 at its traditional home, the Castro Theatre, and features films from the 1930s-1960s. For the uninitiated, the <a href=\"http:\/\/www.noircity.com\/foundation.html\">Film Noir Foundation<\/a> is dedicated to &#8220;rescuing and restoring America&#8217;s Film Noir Heritage&#8221; and they put on this amazing festival every year. Here are a few highlights to keep in mind when buying your tickets:<\/p>\n<ul>\n<li><a href=\"http:\/\/www.noircity.com\/program1.html#caspary\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/www.noircity.com\/img\/nc10\/affiche\/Laura,1.jpg\" alt=\"\" width=\"220\" height=\"289\" \/><\/a> <strong>Angie Dickinson in Person<\/strong> (for a live interview on her career): Saturday night, January 21<\/li>\n<li>Laura (1944) with costumes by <strong>Bonnie Cashin<\/strong>: Sunday, January 22<\/li>\n<li>A brand new 35mm print of <strong>1949&#8217;s<em> The Great Gatsby<\/em><\/strong>, starring Alan Ladd: Saturday night, January 28<\/li>\n<li>A special 10th anniversary celebration, <em>Everyone Comes to Eddie&#8217;s<\/em>, a swanky, sexy, and slightly sinister soiree in which the Swedish American Hall is transformed into a vintage 1940s-era nightclub: Saturday night, January 28, 2012.<\/li>\n<li><strong>Noir City Tours<\/strong> of San Francisco: Sunday, Jan. 22 and Wednesday, Jan. 25.<\/li>\n<li>T<strong>he original Maltese Falcon<\/strong> (1931) and a Dashiell Hammett Marathon: Sunday, Jan 29<\/li>\n<li><strong>More amazing vintage films that you&#8217;ve never seen and aren&#8217;t available anywhere else<\/strong><\/li>\n<\/ul>\n<p>Sorry to get gushy here kids, but I love this festival and its always got some great gems (not to mention some pretty amazing costumes!). Double-features abound so you really get your money&#8217;s worth. But if you can swing it, the Passport ($120) may be the way to go. More details (and a list of films) are available here:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.noircity.com\/\">Noir City X <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 10th Annual Noir City Film Festival starts tomorrow in San Francisco, and Eddie Muller (the Czar of Noir) is pulling out all the stops. The festival runs January 20-29 at its traditional home, the Castro Theatre, and features films from the 1930s-1960s. For the uninitiated, the Film Noir Foundation is dedicated to &#8220;rescuing and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[93,94,7,91,1],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/2320"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=2320"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/2320\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=2320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=2320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=2320"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=2320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}