{"id":3195,"date":"2012-07-12T06:30:15","date_gmt":"2012-07-12T13:30:15","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=3195"},"modified":"2012-07-08T14:40:48","modified_gmt":"2012-07-08T21:40:48","slug":"san-francisco-silent-film-festival-today-july-15-2012","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2012\/07\/12\/san-francisco-silent-film-festival-today-july-15-2012\/","title":{"rendered":"San Francisco Silent Film Festival: today – July 15, 2012"},"content":{"rendered":"
\"\"<\/a>
Louise Brooks in Pandora's Box (1929)<\/figcaption><\/figure>\n
\"\"<\/a>
The Spanish Dancer (1923) costume sketch by Howard Greer (AMPAS)<\/figcaption><\/figure>\n

Starting this evening, the San Francisco Silent Film Festival begins with a showing of Wings<\/em><\/strong> (1927) – a film about a lady aviator (or ‘flyer’) starring ‘it girl” Clara Bow. It is one of my favorite silent films, the story AND the costumes are great. Stella Dallas<\/em><\/strong> (1925), Mantrap<\/em><\/strong> (1926), Spanish Dancer <\/em><\/strong>(1923) and Pandora’s Box<\/em> <\/strong>(1929) are some other favorites with great clothes and great characters. These — plus, the Mark of Zorro<\/em><\/strong> (1920) and The Cameraman<\/strong><\/em> (1928) with Buster Keaton–make this a killer line-up. The full list of films is below, do yourself a favor and go !<\/p>\n

(More details are available here<\/a>)<\/p>\n

17th Annual<\/strong>
\n San Francisco Silent Film Festival<\/strong>
\n July 12-15 at the Castro Theatre, San Francisco<\/strong><\/p>\n

View the Full Program Now! <\/a> Tickets & PassesNow on Sale! <\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Thursday,
\nJuly 12<\/td>\n		7:00 pm<\/td>\nOpening Night Film
\nWINGS (1927)<\/a><\/td>\n<\/tr>\n
9:30 pm<\/td>\nOpening Night Party at
\nMcRoskey Mattress Company<\/a><\/td>\n<\/tr>\n
Friday,
\nJuly 13<\/td>\n		10:30 am<\/td>\nAmazing Tales from
\nthe Archives<\/a><\/td>\n<\/tr>\n
1:00 pm<\/td>\nLITTLE TOYS (1933)<\/a><\/td>\n<\/tr>\n
4:00 pm<\/td>\nTHE LOVES OF PHARAOH (1922)<\/a><\/td>\n<\/tr>\n
7:00 pm<\/td>\nMANTRAP (1926)<\/a><\/td>\n<\/tr>\n
9:15 pm<\/td>\nTHE WONDERFUL LIE OF NINA PETROVNA (1929)<\/a><\/td>\n<\/tr>\n
Saturday,
\nJuly 14<\/td>\n		10:00 am<\/td>\nFELIX THE CAT SILENT CARTOONS (1925-1929)<\/a><\/td>\n<\/tr>\n
12:00 noon<\/td>\nTHE SPANISH DANCER (1923)<\/a><\/td>\n<\/tr>\n
2:30 pm<\/td>\nTHE CANADIAN (1926)<\/a><\/td>\n<\/tr>\n
5:00 pm<\/td>\nSOUTH (1919)<\/a><\/td>\n<\/tr>\n
7:00 pm<\/td>\nCenterpiece Film
\nPANDORA\u2019S BOX (1929)<\/a><\/td>\n<\/tr>\n
10:00 pm<\/td>\nTHE OVERCOAT (1926)<\/a><\/td>\n<\/tr>\n
Sunday,
\nJuly 15<\/td>\n		10:00 am<\/td>\nTHE MARK OF ZORRO (1920)<\/a><\/td>\n<\/tr>\n
12:00 noon<\/td>\nTHE DOCKS OF NEW YORK (1928)<\/a><\/td>\n<\/tr>\n
2:00 pm<\/td>\nEROTIKON (1920)<\/a><\/td>\n<\/tr>\n
4:30 pm<\/td>\nSTELLA DALLAS (1925)<\/a><\/td>\n<\/tr>\n
7:30 pm<\/td>\nTHE CAMERAMAN (1928)<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Starting this evening, the San Francisco Silent Film Festival begins with a showing of Wings (1927) – a film about a lady aviator (or ‘flyer’) starring ‘it girl” Clara Bow. It is one of my favorite silent films, the story AND the costumes are great. Stella Dallas (1925), Mantrap (1926), Spanish Dancer (1923) and Pandora’s […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88,94,91,1],"tags":[],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/3195"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=3195"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/3195\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=3195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=3195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=3195"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=3195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}