{"id":4010,"date":"2013-11-05T06:33:19","date_gmt":"2013-11-05T13:33:19","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=4010"},"modified":"2014-02-06T13:05:14","modified_gmt":"2014-02-06T20:05:14","slug":"gift-books-for-the-fashion-historian-jean-patou-a-fashionable-life","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2013\/11\/05\/gift-books-for-the-fashion-historian-jean-patou-a-fashionable-life\/","title":{"rendered":"Holiday gift books (Part 1): &#8220;Jean Patou: A Fashionable Life&#8221;"},"content":{"rendered":"<figure id=\"attachment_4015\" aria-describedby=\"caption-attachment-4015\" style=\"width: 364px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou.jpg\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4015\" title=\"p155 -\ufffd Francis Hammond, Jean Patou\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou-253x300.jpg\" alt=\"\" width=\"364\" height=\"431\" srcset=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou-253x300.jpg 253w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou-864x1024.jpg 864w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou.jpg 1912w\" sizes=\"(max-width: 364px) 100vw, 364px\" \/><\/a><figcaption id=\"caption-attachment-4015\" class=\"wp-caption-text\">*<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.amazon.com\/gp\/product\/2080201522\/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=2080201522&amp;linkCode=as2&amp;tag=fashhistandwo-20\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/61SOzOCAj2L._SX258_BO1,204,203,200_.jpg\" alt=\"\" width=\"200\" height=\"256\" \/><\/a>Released just a few weeks ago, <a href=\"http:\/\/www.amazon.com\/gp\/product\/2080201522\/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=2080201522&amp;linkCode=as2&amp;tag=fashhistandwo-20\"><em>Jean Patou: A Fashionable Life <\/em><\/a>by Emmanuelle Polle highlights the extensive private archives of the Patou heirs for the first time. This oversize monograph from Flammarion that Polle spent two years researching, features 250 color and black-and-white illustrations, including the much of the early days of fashion photography (such as those by Baron de Meyer).<\/p>\n<p>The book is divided into three sections: a biography of Jean Patou, his work in Paris, and his work in the United States. Pages are covered from edge to edge with fashion sketches, photographs of garments (sportswear, swimwear, day-wear, etc, gowns), fashion photographs (including both street fashion and studio photographs), focused on the 1920s and 1930s &#8211; the height of his powers. It also includes information related to his famous perfumes-<em>Joy<\/em> and <em>Que Sais-Je<\/em>.<\/p>\n<figure id=\"attachment_4021\" aria-describedby=\"caption-attachment-4021\" style=\"width: 174px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou.jpg\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-4021\" title=\"p 233, DR--\ufffd Archives Jean Patou, Jean Patou\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-211x300.jpg\" alt=\"\" width=\"174\" height=\"248\" srcset=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-211x300.jpg 211w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-721x1024.jpg 721w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou.jpg 1697w\" sizes=\"(max-width: 174px) 100vw, 174px\" \/><\/a><figcaption id=\"caption-attachment-4021\" class=\"wp-caption-text\">In New York in 1924, Jean Patou poses in one of the eighty-odd suits he claimed to own.<\/figcaption><\/figure>\n<p>Though his career lasted a short fifteen years, his use of embroideries, jersey, and interest in day pajamas, and sportswear made him a rival of Chanel. The book also includes discussion and visual representation of the inspiration he gained during World War I-even including some garments he collected and kept as inspirational pieces. The book discusses his clientele, his friends, his lovers and gives an in-depth look at the man and his design work (much of which researched from private letters, diaries, and other previously unpublished material).<\/p>\n<p>This book is a welcome addition to fashion history literature &#8211; as it is the first book to focus solely on the short but substantial career of Jean Patou since the 1980s. <a href=\"http:\/\/www.amazon.com\/gp\/product\/2080201522\/ref=as_li_ss_tl?ie=UTF8&amp;camp=1789&amp;creative=390957&amp;creativeASIN=2080201522&amp;linkCode=as2&amp;tag=fashhistandwo-20\"><em>Jean Patou: A Fashionable Life<\/em><\/a> is one of those rare gems that will be of interest to both established fashion historians, archivists, libraries, museums and\u00a0 fashion enthusiast alike. Especially those interested in Paris, and the Art Deco period.<\/p>\n<p>For a &#8216;sneak peak&#8217; of the interior, check out the small gallery below.<\/p>\n<div id='gallery-1' class='gallery galleryid-4010 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-156-\ufffd-Francis-Hammond-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-156-\ufffd-Francis-Hammond-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4017\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4017'>\n\t\t\t\t\u00a9 Francis Hammond, \u201cFlorentin\u201d evening dress in Persian blue, coral, and worn-gold silk lam\u00e9, with cashmere palm frond and floral motifs, 1926 (ensemble).\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p220-DR-\ufffd-Archives-Jean-Patou-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p220-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4016\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4016'>\n\t\t\t\tJean Patou Archives, Fashion drawing by Madeleine Jeannest, 1932.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p20-\ufffd-Francis-Hammond-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p20-\ufffd-Francis-Hammond-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4018\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4018'>\n\t\t\t\t\u00a9 Francis Hammond, Jean Patou\u2019s designs owe much to his large collection of textiles from all over the world.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p106-\ufffd-Francis-Hammond-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p106-\ufffd-Francis-Hammond-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4020\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4020'>\n\t\t\t\t\u00a9 Francis Hammond, The Jean Patou label bore a reproduction of the couturier\u2019s signature.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p67-DR-\ufffd-Archives-Jean-Patou-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p67-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4019\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4019'>\n\t\t\t\tJean Patou Archives, \u201cFleurs du mal\u201d coat in caramel silk velvet, back embroidered with flowers, 1921. It wasn\u2019t unusual for the names of Jean Patou\u2019s designs to carry literary references. This one reflects the couturier\u2019s taste for the poetry of Baudelaire.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p-233-DR-\ufffd-Archives-Jean-Patou-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4021\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4021'>\n\t\t\t\tIn New York in 1924, Jean Patou poses in one of the eight-odd suits he claimed to own.\n\t\t\t\t<\/figcaption><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou.jpg' data-lightbox=\"gal[4010]\" data-lightbox=\"gal[4010]\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2013\/10\/p155-\ufffd-Francis-Hammond-Jean-Patou-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-4015\" \/><\/a>\n\t\t\t<\/div>\n\t\t\t\t<figcaption class='wp-caption-text gallery-caption' id='gallery-1-4015'>\n\t\t\t\t*\n\t\t\t\t<\/figcaption><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p>*<em> \u00a9 Francis Hammond, \u201cDeclaration\u201d evening top in pale pink silk  tulle over matching silk chiffon, embroidered all over with white and  silver satin tubes in a geometric diamond motif, Winter 1935. This  garment, which belonged to the Princesse Nilfur, was worn under a tuxedo  suit with a long skirt and jacket in black satin, lined in the same  pink color as the top. <\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Released just a few weeks ago, Jean Patou: A Fashionable Life by Emmanuelle Polle highlights the extensive private archives of the Patou heirs for the first time. This oversize monograph from Flammarion that Polle spent two years researching, features 250 color and black-and-white illustrations, including the much of the early days of fashion photography (such [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,91,1],"tags":[19,20,18,163,164,162,161,165,166],"coauthors":[],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/4010"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=4010"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/4010\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=4010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=4010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=4010"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=4010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}