{"id":4708,"date":"2016-07-07T05:03:41","date_gmt":"2016-07-07T12:03:41","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=4708"},"modified":"2016-07-06T20:39:11","modified_gmt":"2016-07-07T03:39:11","slug":"best-laid-plans-what-i-hope-to-read-this-summer-continuing-series-2","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2016\/07\/07\/best-laid-plans-what-i-hope-to-read-this-summer-continuing-series-2\/","title":{"rendered":"Best Laid Plans: What I hope to read this summer (continuing series)"},"content":{"rendered":"<p><a href=\"http:\/\/amzn.to\/29p6qFZ\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/images-na.ssl-images-amazon.com\/images\/I\/51xWh-JbAmL._SX331_BO1,204,203,200_.jpg\" width=\"333\" height=\"499\" \/><\/a><\/p>\n<p><em>In my continuing series of recently released books (that I want to read, or have started to read)<\/em><em>, I present this weeks book:<\/em><a href=\"http:\/\/amzn.to\/29p6qFZ\">Dress History: New Directions in Theory and Practice<\/a><em>, Edited by Charlotte Nicklas and Annabella Pollen [ Bloomsbury, Oct 2015]<\/em><em>. For more in this series, see previously reviewed books <a href=\"http:\/\/fashionhistorian.net\/blog\/?s=%22Best+Laid+plans%22\">here<\/a>.<\/em><\/p>\n<p>If one were to judge a book by it&#8217;s cover, after reading blurbs by the likes of <strong>Nancy Deihl<\/strong> (NYU); <strong>Clare Sauro<\/strong> (Drexel); <strong>Jean L Druesedow<\/strong> (Kent State); and <strong>Abby Lillethun<\/strong> (Montclair State), one might reasonably expect to see some US-based scholarship here. Unfortunately, the series of essays include only scholarship from the UK and Canada (though the dust jacket says &#8220;international case studies.&#8221;)<\/p>\n<p>That said, it does look to be a fascinating collection of essays by a good mix of early-career and established scholars. With an introduction by THE <a href=\"http:\/\/amzn.to\/29je3y9\">Lou Taylor<\/a> (<strong><em>Establishing Dress History<\/em><\/strong>, and <strong><em>The Study of Dress History<\/em><\/strong>), it&#8217;s got some impressive clout.<\/p>\n<p>Topics include gloves in the 18th Century; 19th Century Afro-Brazilian dress; African dress in the V &amp; A; Aesthetic dress in 19th Century Britain; gender identity and Norman Hartnell; and even sari revival in Tamilnadu, India (among many others). Collections explored include the V&amp;A; Narryna Heritage Museum; Isabella Stewart Gardener Museum; Royal Ontario Museum; and The Hartnell-Mitchison Archive.<\/p>\n<p>It really does appear to be an outstanding contribution to the field, and aims to move Taylor&#8217;s work forward. I&#8217;m looking forward to continuing my reading!*<\/p>\n<p>&nbsp;<\/p>\n<p>*I&#8217;m also looking forward to a book of similar impact that includes US-based collections and scholars.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In my continuing series of recently released books (that I want to read, or have started to read), I present this weeks book:Dress History: New Directions in Theory and Practice, Edited by Charlotte Nicklas and Annabella Pollen [ Bloomsbury, Oct 2015]. For more in this series, see previously reviewed books here. If one were to [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,7,91,1],"tags":[],"coauthors":[247],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/4708"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=4708"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/4708\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=4708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=4708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=4708"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=4708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}