{"id":5335,"date":"2019-11-05T09:00:46","date_gmt":"2019-11-05T16:00:46","guid":{"rendered":"http:\/\/fashionhistorian.net\/blog\/?p=5335"},"modified":"2019-11-05T13:58:25","modified_gmt":"2019-11-05T20:58:25","slug":"new-in-print-a-mysterious-set-of-silver-knitting-needles","status":"publish","type":"post","link":"https:\/\/fashionhistorian.net\/blog\/2019\/11\/05\/new-in-print-a-mysterious-set-of-silver-knitting-needles\/","title":{"rendered":"New in Print: A mysterious set of silver knitting needles"},"content":{"rendered":"\n<p class=\"has-normal-font-size\">By <a href=\"http:\/\/fashionhistorian.net\/blog\/about-me\/\">Heather Vaughan Lee<\/a><\/p>\n\n\n\n<p class=\"has-normal-font-size\">While working as part of the curatorial staff on the 2017 exhibition <em><a href=\"https:\/\/www.turtlebay.org\/material-culture\">Material Culture: Form, Function &amp; Fashion<\/a><\/em> at Turtle Bay Exploration Park &amp; Museum, I became fascinated with a small silver case containing six steel double-pointed knitting needles. <\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/PieceworkWinter-Silver-article-e1572663816520.png\" alt=\"\" class=\"wp-image-5336\" width=\"625\" height=\"531\" srcset=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/PieceworkWinter-Silver-article-e1572663816520.png 537w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/PieceworkWinter-Silver-article-e1572663816520-300x255.png 300w\" sizes=\"(max-width: 625px) 100vw, 625px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.nantuckethistoricalassociation.net\/images\/dbtext\/webref\/images\/P308.jpg\" alt=\"\" width=\"194\" height=\"330\"\/><figcaption>Mrs. Hepsibeth Gardner Edwards, wife of David N. Edwards, 1860s (Courtesy of the Nantucket Historical Association)<\/figcaption><\/figure><\/div>\n\n\n\n<p class=\"has-normal-font-size\">The set of six size-two needles is kept in a Nantucket-made silver case engraved with a name and date, \u201cHepsibeth A. Edwards, 1840.\u201d A fascinating history revealed itself as I researched the needles. The stories that surround the set reveal a complex web of politics, religion, industry, handcraft, and creativity in our ancestors\u2019 daily lives. Discovering how these knitting needles and others like them were used, by whom, and why provided insights into our collective cultural history as well as inspiration for some fun knitting projects.<\/p>\n\n\n\n<p class=\"has-normal-font-size\">I&#8217;m thrilled to share that my research on these needles, along with a complimentary pattern for my adaptation of a vintage <a href=\"https:\/\/www.ravelry.com\/patterns\/library\/a-sunflower-pincushion-to-knit\">Sunflower pincushion<\/a>, have just been published in the <a href=\"https:\/\/shop.longthreadmedia.com\/products\/piecework-winter-2019?_pos=1&amp;_sid=5e169d990&amp;_ss=r.\">Winter issue<\/a> of <a href=\"https:\/\/pieceworkmagazine.com\/\">Piecework<\/a> Magazine (Long Thread Media). <\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/shop.longthreadmedia.com\/products\/piecework-winter-2019?_pos=1&amp;_sid=5e169d990&amp;_ss=r.\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/Piecework-Winter-cover.png\" alt=\"\" class=\"wp-image-5337\" width=\"326\" height=\"442\" srcset=\"https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/Piecework-Winter-cover.png 477w, https:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/11\/Piecework-Winter-cover-221x300.png 221w\" sizes=\"(max-width: 326px) 100vw, 326px\" \/><\/a><\/figure>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft\"><img decoding=\"async\" src=\"http:\/\/fashionhistorian.net\/blog\/wp-content\/uploads\/2019\/08\/Heather-Lee-Headshot-2019-e1566420775263-200x200.jpeg\" alt=\"\"\/><\/figure><\/div>\n\n\n\n<p class=\"has-normal-font-size\"><strong><a href=\"http:\/\/fashionhistorian.net\/blog\/about-me\/\">Heather Vaughan Lee is<\/a><\/strong> the founding author of Fashion Historia. She is an author and historian, whose work focuses on the study of dress in the late 19th  through the 20th century. Covering a range of topics and perspectives in dress history, she is primarily known for her research on designer   Natacha Rambova, American fashion history, and the history of knitting in America and the UK. Her forthcoming book, <strong><em><a href=\"https:\/\/amzn.to\/2Nkmuvx\">Artifacts from American Fashion<\/a><\/em><\/strong> is available for pre-order on Amazon (November 2019 from ABC-CLIO).&nbsp; <a href=\"http:\/\/fashionhistorian.net\/blog\/author\/havaughan\/\">More posts by the Author \u00bb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The stories that surround the set of knitting needles reveal a complex web of politics, religion, industry, handcraft, and creativity in our ancestors\u2019 daily lives. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,93,360,89,4,1],"tags":[21,397,398,396],"coauthors":[247],"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/5335"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/comments?post=5335"}],"version-history":[{"count":0,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/posts\/5335\/revisions"}],"wp:attachment":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/media?parent=5335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/categories?post=5335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/tags?post=5335"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/coauthors?post=5335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}