{"id":3,"name":"Ariele Elia","url":"","description":"Ariele Elia,\u00a0assistant curator of Costume and Textiles, Museum at the Fashion Institute of Technology (FIT); she has curated or co-curated a number of exhibits including:\u00a0\"Faking It: Originals, Copies, and Counterfeits,\"\u00a0\"Fashion and Technology,\"\u00a0and \"Global Fashion Capitals.\" Currently she is co-curated \u201cBlack Fashion Designers,\u201d set to open December 2017.\u00a0Elia\u00a0has lectured on at Oxford, NYU, Eyebeam, and the University of Rhode Island. Her essay, \u201cThe Wardrobe of the Modern Athlete: Activewear in the 1930s\u201d\u00a0was published in the book\u00a0Elegance in an Age of Crisis: Fashion of the 1930s. Elia is currently writing an essay about the influence of deep sea on fashion for the catalog Expedition: Fashion from the Extreme.\u00a0She holds an M.A. in Fashion and Textile: History, Theory, and Museum Practices from FIT, as well as a B.A. in Art History from Saint Mary\u2019s College of California.","link":"https:\/\/fashionhistorian.net\/blog\/author\/ariele\/","slug":"ariele","avatar_urls":{"24":"https:\/\/secure.gravatar.com\/avatar\/9dfc8cb5499183487d28c28ad010edf8?s=24&d=mm&r=g","48":"https:\/\/secure.gravatar.com\/avatar\/9dfc8cb5499183487d28c28ad010edf8?s=48&d=mm&r=g","96":"https:\/\/secure.gravatar.com\/avatar\/9dfc8cb5499183487d28c28ad010edf8?s=96&d=mm&r=g"},"meta":[],"mpp_avatar":{"errors":{"mpp_no_profile_picture":["Profile picture not found."]},"error_data":{"mpp_no_profile_picture":{"status":404}}},"_links":{"self":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users\/3"}],"collection":[{"href":"https:\/\/fashionhistorian.net\/blog\/wp-json\/wp\/v2\/users"}]}}