California Association of Museums conference (in Berkeley!)

The 2012 CAM conference, Museums Making It Happen, will take place February 15-17, 2012 at the Berkeley Doubletree Marina and will feature:
  • Programs led by colleagues from 60 California museums
  • Over 40 educational sessions and workshops focusing on administration, school and public programs, exhibitions, collections, and hot topics
  • Receptions, dinners, and other opportunities to dialogue
  • Maker Stations to tinker, be creative, and experience “making” in action (stations to be announced soon!)

Registration includes: entrance to the general session, concurrent sessions, the Lunchtime Learning Opportunities, and the exhibit hall; two continental breakfasts; the closing reception; and all exhibit hall breaks. All workshops, tours, evening events, and luncheons are additional. See 2012 Schedule for workshop, tour, luncheon, and evening event prices.

The Pre-Registration Deadline is Friday, Janaury 27, 2012.
Highlights (from my point of view) include:
California Indian Basketry Workshop at the Hearst’s Basket & Textile storage facility in Berkeley/Emeryville.

Emerging Professionals Participants will gain an understanding of the kinds of jobs available, trends in the field, and how to land that first paid position.

Play With Your Stuff: Collections and Social Media Join professionals from across the museum spectrum as we brainstorm ideas to promote your collections through social media.

Collections Management Roundtable These informal roundtable discussions will focus on specific topics pertaining to collections management and provide an opportunity to network with (and learn from) colleagues.
The New Magnes: The Vaults Revisited : After nearly a 50 year history as an independent museum, the Judah L. Magnes joined the Bancroft library at the University of California, Berkeley in 2010. In January 2012, The Magnes Collection of Jewish Art and Life reopens in a new facility in the Berkeley arts and culture district.
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Upcoming Exhibit “Dolls: Collections, Stories, and Tradition”

What: “Dolls: Collections, Stories, and Tradition” Exhibition

Where: African American Art & Culture Complex, Sargent Johnson Gallery, 1st Floor, San Francisco

When: Opening Reception: February 2, 2012, Time: 6 p.m. – 8 p.m. (Exhibition on view Feb 2 — May 3)

Details:

The Sargent Johnson Gallery is pleased to present a doll exhibition that addresses a need to celebrate the diversity and beauty of African American and African people and their experience, manifested in dolls. This exhibition is a survey, with selected samples of dolls from several collections and doll makers who have as their focus Black Dolls. They come in all shapes and sizes. They are made of various materials and have different functions. They tell stories and are witness to history. The human form doll is among the first play toys a child, especially a female child has to identify with; thus, its aesthetic appearance has important implications for how a child perceives his or her self image.

Curated by Nashormeh Lindo, this exhibition serves as a response to the underrepresentation of positive images reflective of the black experience in the mainstream toy and doll industry and that have negative implications for young girls from the Western Addition—primarily those who are African American of a darker skin complexion. Come and learn about the fascinating world of African and African American dolls!

Click here for more details: African American Art & Culture Complex

 

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Noir City Film Festival starts tomorrow!

The 10th Annual Noir City Film Festival starts tomorrow in San Francisco, and Eddie Muller (the Czar of Noir) is pulling out all the stops. The festival runs January 20-29 at its traditional home, the Castro Theatre, and features films from the 1930s-1960s. For the uninitiated, the Film Noir Foundation is dedicated to “rescuing and restoring America’s Film Noir Heritage” and they put on this amazing festival every year. Here are a few highlights to keep in mind when buying your tickets:

  • Angie Dickinson in Person (for a live interview on her career): Saturday night, January 21
  • Laura (1944) with costumes by Bonnie Cashin: Sunday, January 22
  • A brand new 35mm print of 1949’s The Great Gatsby, starring Alan Ladd: Saturday night, January 28
  • A special 10th anniversary celebration, Everyone Comes to Eddie’s, a swanky, sexy, and slightly sinister soiree in which the Swedish American Hall is transformed into a vintage 1940s-era nightclub: Saturday night, January 28, 2012.
  • Noir City Tours of San Francisco: Sunday, Jan. 22 and Wednesday, Jan. 25.
  • The original Maltese Falcon (1931) and a Dashiell Hammett Marathon: Sunday, Jan 29
  • More amazing vintage films that you’ve never seen and aren’t available anywhere else

Sorry to get gushy here kids, but I love this festival and its always got some great gems (not to mention some pretty amazing costumes!). Double-features abound so you really get your money’s worth. But if you can swing it, the Passport ($120) may be the way to go. More details (and a list of films) are available here:

Noir City X

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Spotlight on real Costume Design

For those who are enthusiastic about the field of costume design (whether you are an aspiring or working costume designer or you just love movie costumes), there’s a key publication you should be aware of: The Costume Designer. Published by the Costume Designers Guild (local 892), it is the professional union for working costume designers in Hollywood. The current issue celebrates the 25th issue published by the organization and includes a number of articles of interest.

Of course January is Oscar prep season, so many of the ads are promoting designers such as Sandy Powell, Sharen Davis, Deborah Hopper, and Jany Temime (among many others) – asking those voting in the Academy to consider them for the Best Costume Design Oscar. Two special articles include an excerpt from a book on footwear, and a short piece called Beauty in the Details that highlights Drive, The Playboy Club and W.E. (about Wallace Simpson). The best thing about this magazine? It’s free and you can download it as a pdf here:

The Costume Designer

 

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Fashion in Motion: Nudie Cohen, the Rodeo Tailor

This odd little film (10 minutes) was created to accompany the Antwerp Fashion Museum’s 2011 exhibition ‘Dreamsuits: Designs by Nudie Cohn, the Rodeo Tailor.’ Here photographer and filmmaker Alice Hawkins “lends her unique eye to Cohn’s equally unique couture creations, capturing the glittering surfaces of Nudie suits drawn from the collection of Belgian entertainer Bobbejaan Schoepen on fashion film in ‘Museum of Costume.'” Happy New Year!

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Tuesday Teaser: The First Women Airline Stewardesses (1930)

"Original Caption: Fifty years ago, Jessie Carter Brohson (second from right) posed with the original group of eight that became the first women airline stewardesses. All were registered nurses, a requirement in those days. Mrs. Bronson, now retired in Hawaii, flew the run from San Francisco to Cheyenne. (1930, San Francisco)" © Bettmann/CORBIS
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Tuesday Teaser: Chorus Girls from a pre-code 1933 film.

Nov. 20, 1933: Fan Dance, Where is Thy Charm. It isn't very difficult to beleieve that these three charmers were selected as the most beautiful chorus girls in Hollywood. They are appearing in the Charles Roger's RKO production, Sitting Pretty. From left to right, they are: Helen Splane, Mae Madison and Peaches Jackson.
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Walter Plunkett’s wild ideas for An American in Paris (1951)

Gene Kelly and Nina Foch in An American in Paris (Click for reference)

In the beaux arts ball sequence of ‘An American in Paris’ [Walter Plunkett] really went imaginative. His materials included newspapers, oilcloth, canvas and felt. The hats were even more extreme. They featured cardboard boxes, sofa pillows and bird cages. One, of papier-mache, took the form of a woman’s leg.”–Quigg, Jack. “Have Nothing to Wear? Use Ingenuity,” The Washington Post; Jul 8, 1951, pg. S10.

You can see a clip of the scene referenced (the New Year’s Eve party)  here.

A nice side-bar for this is that Nina Foch’s gown, according to the organizers of the recent Debbie Reynolds auction, was designed by Orry-Kelly for Walter Plukett in this scene. (Click the image below for more on that!)

Gene Kelly and Nina Foch in An American in Paris (Click for source)
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In Brief: Maharaja: The Splendor of India’s Royal Courts

This past weekend, I had the good fortune to be able to visit the San Francisco Asian Art Museum’s current, excellent, exhibition: Maharaja: The Splendor of India’s Royal Courts (on view through April 2012). This show is a somewhat smaller version of the 2009 version put on by the Victoria & Albert Museum in London.

Poshak (costume for a woman). About 1900. Silk brocade with gold thread, base metal and sequins. Private Collection. (via Asian Art Museum)

Each piece in the show is impressive: sumptuous materials, exquisite details and extravagant design make obvious that the Maharaja’s were a VERY wealthy bunch. By examining their lives as a whole, the objects included provide a cohesive picture of their worlds and lives.

Objects included in the exhibition include paintings, thrones, regal accessories, men’s and women’s costumes, and LOTS of jewelry, furniture, musical instruments, games and much more. Some of the most physically impressive objects include a full size all-silver carriage, an elephant throne and some of the biggest diamonds and sapphires I’ve ever seen (many many by Cartier). Everywhere you looked were examples of fine craftsmanship, and nearly everything was gilded, embroidered or otherwise embellished to emphasize wealth and power.

Necklace. Cartier Paris, special order, 1928. Reconstructed with some substitute stones in 2002. Platinum, diamonds, yellow zirconia, white zirconias, topazes, synthetic rubies, smoky quartz, citrine. Created for Sir Bhupindra Singh, Maharaja of Patiala. Nick Welsh, Cartier Collection © Cartier.

One word of advice though – take a magnifying glass to truly appreciate some of the amazingly small and detailed paintings (similar to detail to the recent illuminated manuscripts exhibition at the Getty). The exhibition itself was well-thought out, and the (free) audio-tour was great. The show included several informative videos that provided good context for the show, and the audio-tour offered additional videos if you wanted more information.

Can’t make it to see the show? You’re in luck, there is an exhibition catalog of the V & A’s version of the show (which I sensibly purchased). There’s also an audio-tour that you can easily download through iTunes.

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